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DEDICATED TO HOLLYWOOD LEGEND STEVE MCQUEEN!

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Terence Steven "Steve" McQueen (March 24, 1930 – November 7, 1980) was an American actor. Called "The King of Cool", his "anti-hero" persona developed at the height of the counterculture of the 1960s and made him a top box-office draw of the 1960s and 1970s. McQueen received an Academy Award nomination for his role in The Sand Pebbles. His other popular films include The Cincinnati Kid, The Thomas Crown Affair, Bullitt, The Getaway, and Papillon, as well as the all-star ensemble films The Magnificent Seven, The Great Escape, and The Towering Inferno. In 1974, he became the highest-paid movie star in the world, although he did not act in films again for four years. McQueen was combative with directors and producers, but his popularity placed him in high demand and enabled him to command large salaries.

Terence Steven McQueen was born on March 24, 1930, at St. Francis Hospital in Beech Grove, Indiana, a suburb of Indianapolis. His father, William Terence McQueen, was a stunt pilot for a barnstorming flying circus who left McQueen's mother, Julia Ann (a.k.a. Jullian; née Crawford), six months after meeting her. Julia allegedly was an alcoholic. Unable to cope with caring for a small child, she left him with her parents (Victor and Lillian) in Slater, Missouri, in 1933. As the Great Depression set in shortly thereafter, McQueen and his grandparents moved in with Lillian's brother Claude at his farm in Slater. McQueen was raised Catholic.

McQueen expressed having good memories of living on the farm, noting that his Uncle Claude "was a very good man, very strong, very fair. I learned a lot from him." Claude gave Steve a red tricycle on his fourth birthday, a gift that McQueen subsequently credited with sparking his early interest in racing. At age eight, he was taken to Indianapolis by his mother, who lived there with her new husband. McQueen's departure from his uncle's home was marked by a very special memento given to him on that occasion. "The day I left the farm", he recalled, "Uncle Claude gave me a personal going-away present—a gold pocket watch, with an inscription inside the case." The inscription read, "To Steve – who has been a son to me."

Dyslexic and partly deaf due to a childhood ear infection, Steve did not adjust well to his new life. His new stepfather beat him to such an extent that at age nine, he left home to live on the streets. Soon he was running with a street gang and committing acts of petty crime. Unable to control his behavior, his mother sent him back to Slater. When he was 12, Julia wrote to Claude, asking that her son be returned to her again to live in her new home in Los Angeles, California. Julia's second marriage had ended in divorce, and she had married a third time.

By McQueen's own account his new stepfather and he "locked horns immediately." McQueen recalls him being "a prime son of a bitch" who was not averse to using his fists on McQueen and his mother.[3] As McQueen began to rebel again he was sent back to live with Claude a final time. At age 14 he left Claude's farm without saying goodbye and joined a circus for a short time, then drifted back to his mother and stepfather in Los Angeles, resuming his life as a gang member and petty criminal. McQueen was caught stealing hubcaps by police, who handed him over to his stepfather, who beat him severely, ending the fight by throwing McQueen down a flight of stairs. McQueen looked up at his stepfather and said, "You lay your stinkin' hands on me again and I swear, I'll kill ya."

After the incident McQueen's stepfather persuaded his mother to sign a court order stating that McQueen was incorrigible, remanding him to the California Junior Boys Republic in Chino.[3] Here, McQueen began to change and mature. He was not popular with the other boys at first: "Say the boys had a chance once a month to load into a bus and go into town to see a movie. And they lost out because one guy in the bungalow didn't get his work done right. Well, you can pretty well guess they're gonna have something to say about that. I paid my dues with the other fellows quite a few times. I got my lumps, no doubt about it. The other guys in the bungalow had ways of paying you back for interfering with their well-being."[11] Ultimately McQueen became a role model when he was elected to the Boys Council, a group who set the rules and regulations governing the boys' lives. He eventually left the Boys Republic at age 16. When he later became famous he regularly returned to talk to the boys and retained a lifelong association.

At 16 McQueen left Chino Hills and returned to his mother, now living in Greenwich Village, New York. He then met two sailors from the Merchant Marine and volunteered to serve on a ship bound for the Dominican Republic. Once there he abandoned his new post, eventually being employed in a brothel. Afterwards McQueen made his way to Texas and drifted from job to job. He worked as a roughneck, a carnival barker and a lumberjack.

In 1947, McQueen joined the United States Marine Corps and was promoted to private first class and assigned to an armored unit. Initially he reverted to his prior rebelliousness and was demoted to private seven times. He took an unauthorized absence by failing to return after a weekend pass expired, staying with a girlfriend for two weeks until the shore patrol caught him. He resisted arrest and spent 41 days in the brig. After this he resolved to focus his energies on self-improvement and embraced the Marines' discipline. He saved the lives of five other Marines during an Arctic exercise, pulling them from a tank before it broke through ice into the sea. He was assigned to the honor guard, responsible for guarding then US President Harry Truman's yacht. McQueen served until 1950, when he was honorably discharged. He later said he had enjoyed his time in the Marines.

In 1952, with financial assistance provided by the G.I. Bill, McQueen began studying acting in New York at Sanford Meisner's Neighborhood Playhouse. Reportedly, he delivered his first dialogue on a theatre stage in a 1952 play produced by Yiddish theatre star Molly Picon. McQueen's character spoke one brief line: "Alts iz farloyrn." ("All is lost."). During this time, he also studied acting with Stella Adler in whose class he met Gia Scala.

McQueen began to earn money by competing in weekend motorcycle races at Long Island City Raceway and purchased the first of many motorcycles, a Harley-Davidson. He soon became an excellent racer, and went home each weekend with about $100 in winnings (equivalent to $900 in 2016). He appeared as a musical judge in an episode of ABC's Jukebox Jury, that aired in the 1953–1954 season.

McQueen had minor roles in productions including Peg o' My Heart, The Member of the Wedding, and Two Fingers of Pride. He made his Broadway debut in 1955 in the play A Hatful of Rain, starring Ben Gazzara.
In late 1955, at the age of 25, McQueen left New York and headed for California, where he moved into a house on Vestal Avenue in the Echo Park area, seeking acting jobs in Hollywood. When McQueen appeared in a two-part television Westinghouse Studio One presentation entitled The Defenders, Hollywood manager Hilly Elkins (who managed McQueen's first wife, Neile) took note of him and decided that B-movies would be a good place for the young actor to make his mark. He landed his first film role in a bit part in Somebody Up There Likes Me, directed by Robert Wise and starring Paul Newman. McQueen was subsequently hired for the films Never Love a Stranger, The Blob (his first leading role) which depicts a flesh eating amoeba-like space creature, and The Great St. Louis Bank Robbery.

McQueen's first breakout role came on television. He appeared on Dale Robertson's NBC western series, Tales of Wells Fargo. Elkins, then McQueen's manager, successfully lobbied Vincent M. Fennelly, producer of the western series Trackdown, to have McQueen read for the part of bounty hunter Josh Randall in a Trackdown episode. McQueen appeared as Randall in the episode, cast opposite series lead and old New York motorcycle racing buddy Robert Culp. McQueen then filmed the pilot episode, which became the series titled Wanted: Dead or Alive, which aired on CBS in September 1958.

In the interviews in the DVD release of Wanted, Trackdown's star Robert Culp claims credit for bringing McQueen to Hollywood and landing him the part of Randall. He said he taught McQueen the "art of the fast-draw", adding that, on the second day of filming, McQueen beat him. McQueen became a household name as a result of this series. Randall's special holster held a sawed-off .44-40 Winchester rifle nicknamed the "Mare's Leg" instead of the six-gun carried by the typical Western character, although the cartridges in the gunbelt were dummy .45-70, chosen because they "looked tougher". Coupled with the generally negative image of the bounty hunter (noted in the three-part DVD special on the background of the series) this added to the anti-hero image infused with mystery and detachment that made this show stand out from the typical TV Western. The 94 episodes that ran from 1958 until early 1961 kept McQueen steadily employed, and he became a fixture at the renowned Iverson Movie Ranch in Chatsworth, Los Angeles, California, where much of the outdoor action for Wanted: Dead or Alive was shot.

At 29, McQueen got a significant break when Frank Sinatra removed Sammy Davis, Jr., from the film Never So Few after Davis supposedly made some mildly negative remarks about Sinatra in a radio interview, and Davis' role went to McQueen. Sinatra saw something special in McQueen and ensured that the young actor got plenty of closeups in a role that earned McQueen favorable reviews. McQueen's character, Bill Ringa, was never more comfortable than when driving at high speed—in this case in a jeep—or handling a switchblade or a tommy gun.

After Never So Few, the film's director John Sturges cast McQueen in his next movie, promising to "give him the camera". The Magnificent Seven (1960), in which he played Vin Tanner and co-starred with Yul Brynner, Eli Wallach, Robert Vaughn, Charles Bronson and James Coburn, became McQueen's first major hit and led to his withdrawal from Wanted: Dead or Alive. McQueen's focused portrayal of the taciturn second lead catapulted his career. His added touches in many of the shots, such as shaking a shotgun round before loading it, repeatedly checking his gun while in the background of a shot, and wiping his hat rim, annoyed costar Brynner, who protested that McQueen was trying to steal scenes.[3] (In his autobiography, Eli Wallach reports struggling to conceal his amusement while watching the filming of the funeral-procession scene where Brynner's and McQueen's characters first meet: Brynner was furious at McQueen's shotgun-round-shake, which effectively diverted the viewer's attention to McQueen.) Brynner refused to draw his gun in the same scene with McQueen, not wanting his character outdrawn.

McQueen played a lead role in the next big Sturges film, 1963's The Great Escape, Hollywood's fictional depiction of the true story of a historical mass escape from a World War II POW camp, Stalag Luft III. Insurance concerns prevented McQueen from performing the film's notable motorcycle leap, which was done by his friend and fellow cycle enthusiast Bud Ekins, who resembled McQueen from a distance. When Johnny Carson later tried to congratulate McQueen for the jump during a broadcast of The Tonight Show, McQueen said, "It wasn't me. That was Bud Ekins." This film established McQueen's box-office clout and secured his status as a superstar.

In 1963, McQueen starred in Love with the Proper Stranger with Natalie Wood. He later appeared as the titular Nevada Smith, a character from Harold Robbins' novel, The Carpetbaggers, portrayed by Alan Ladd two years earlier in a movie version of that novel. Nevada Smith was an enormously successful Western action adventure film, that also featured Karl Malden and Suzanne Pleshette. After starring in 1965's The Cincinnati Kid as a poker player, McQueen earned his only Academy Award nomination in 1966 for his role as an engine-room sailor in The Sand Pebbles, in which he stars opposite Candice Bergen and Richard Attenborough (with whom he had previously worked in The Great Escape).

He followed his Oscar nomination with 1968's Bullitt, one of his best-known films, which co-starred Jacqueline Bisset, Robert Vaughn, and Don Gordon. It featured an unprecedented (and endlessly imitated) auto chase through San Francisco. Although McQueen did do the driving that appeared in closeup, this was about 10% of what is seen in the film's car chase. The rest of the driving by McQueen's character was done by stunt drivers Bud Ekins and Loren Janes. The antagonist's black Dodge Charger was driven by veteran stunt driver Bill Hickman; McQueen, his stunt drivers and Hickman spent several days before the scene was shot practicing high-speed, close quarters driving. Bullitt went so far over budget that Warner Brothers cancelled the contract on the rest of his films, seven in all.

When Bullitt became a huge box-office success, Warner Brothers tried to woo him back, but he refused, and his next film was made with an independent studio and released by United Artists. For this film, McQueen went for a change of image, playing a debonair role as a wealthy executive in The Thomas Crown Affair with Faye Dunaway in 1968. The following year, he made the Southern period piece The Reivers.

In 1971, McQueen starred in the poorly received auto-racing drama Le Mans. Then came Junior Bonner in 1972, a story of an aging rodeo rider. He worked for director Sam Peckinpah again with the leading role in The Getaway, where he met future wife Ali MacGraw. He followed this with a physically demanding role as a Devil's Island prisoner in 1973's Papillon, featuring Dustin Hoffman as his character's tragic sidekick.

In 1973, The Rolling Stones referred to McQueen in the song "Star Star" from the album Goats Head Soup for which an amused McQueen reportedly gave personal permission.[27] The lines were "Star fucker, star fucker, star fucker, star fucker star/ Yes you are, yes you are, yes you are/Yeah, Ali MacGraw got mad with you/For givin' head to Steve McQueen".

By the time of The Getaway, McQueen was the world's highest-paid actor,[28] but after 1974's The Towering Inferno, co-starring with his long-time professional rival Paul Newman and reuniting him with Dunaway, became a tremendous box-office success, McQueen all but disappeared from the public eye, to focus on motorcycle racing and traveling around the country in a motor home and on his vintage Indian motorcycles. He did not return to acting until 1978 with An Enemy of the People, playing against type as a bearded, bespectacled 19th-century doctor in this adaptation of a Henrik Ibsen play. The film was never properly released theatrically.

His last two films were loosely based on true stories: Tom Horn, a Western adventure about a former Army scout-turned professional gunman who worked for the big cattle ranchers hunting down rustlers, and later hanged for murder in the shooting death of a sheepherder, and The Hunter, an urban action movie about a modern-day bounty hunter, both released in 1980.

McQueen was offered the lead male role in Breakfast at Tiffany's, but was unable to accept due to his Wanted: Dead or Alive contract (the role went to George Peppard). He turned down parts in Ocean's 11, Butch Cassidy and the Sundance Kid (his attorneys and agents could not agree with Paul Newman's attorneys and agents on top billing), The Driver, Apocalypse Now, California Split, Dirty Harry, A Bridge Too Far, The French Connection (he did not want to do another cop film), and Close Encounters of the Third Kind.

According to director John Frankenheimer and actor James Garner in bonus interviews for the DVD of the film Grand Prix, McQueen was Frankenheimer's first choice for the lead role of American Formula One race car driver Pete Aron. Frankenheimer was unable to meet with McQueen to offer him the role and sent Edward Lewis, his business partner and the producer of Grand Prix. McQueen and Lewis instantly clashed, the meeting was a disaster, and the role went to Garner.

Director Steven Spielberg said McQueen was his first choice for the character of Roy Neary in Close Encounters of the Third Kind. According to Spielberg, in a documentary on the Close Encounters DVD, Spielberg met him at a bar, where McQueen drank beer after beer. Before leaving, McQueen told Spielberg that he could not accept the role because he was unable to cry on cue. Spielberg offered to take the crying scene out of the story, but McQueen demurred, saying that it was the best scene in the script. The role eventually went to Richard Dreyfuss.

William Friedkin wanted to cast McQueen as the lead in the action/thriller film Sorcerer (1977). Sorcerer was to be filmed primarily on location in the Dominican Republic, but McQueen did not want to be separated from Ali MacGraw for the duration of the shoot. McQueen then asked Friedkin to let MacGraw act as a producer, so she could be present during principal photography. Friedkin would not agree to this condition, and cast Roy Scheider instead of McQueen. Friedkin later remarked that not casting McQueen hurt the film's performance at the box office.

Spy novelist Jeremy Duns revealed that Steve McQueen was considered for the lead role in a film adaptation of The Diamond Smugglers, written by James Bond creator Ian Fleming; McQueen would play John Blaize, a secret agent gone undercover to infiltrate a diamond-smuggling ring in South Africa. There were complications with the project which was eventually shelved, although a 1964 screenplay does exist.

McQueen and Barbra Streisand were tentatively cast in The Gauntlet, but the two did not get along due to a clash of egos. Both withdrew from the project, and the lead roles were filled in by Clint Eastwood and Sondra Locke.

McQueen expressed interest in the Rambo character in First Blood when David Morrell's novel appeared in 1972, but the producers rejected him because of his age. He was offered the title role in The Bodyguard (with Diana Ross) when it was proposed in 1976, but the film did not reach production until years after McQueen's death.[39] Quigley Down Under was in development as early as 1974, with McQueen in consideration for the lead, but by the time production began in 1980, McQueen was ill and the project was scrapped until a decade later, when Tom Selleck starred. McQueen was offered the lead in Raise the Titanic, but felt that the script was flat. He was under contract to Irwin Allen after appearing in The Towering Inferno and offered a part in a sequel in 1980, which he turned down. The film was scrapped and Newman was brought in by Allen to make When Time Ran Out, which was a box office bomb. McQueen died shortly after passing on The Towering Inferno 2.

McQueen developed a persistent cough in 1978. He gave up cigarettes and underwent antibiotic treatments without improvement. Shortness of breath grew more pronounced and on December 22, 1979, after filming The Hunter, a biopsy revealed pleural mesothelioma, a cancer associated with asbestos exposure for which there is no known cure. A few months later, McQueen gave a medical interview in which he blamed his condition on asbestos exposure. McQueen believed that asbestos used in movie sound stage insulation and race-drivers' protective suits and helmets could have been involved, but he thought it more likely that his illness was a direct result of massive exposure while removing asbestos lagging from pipes aboard a troop ship while in the Marines.

By February 1980, evidence of widespread metastasis was found. While he tried to keep the condition a secret, the National Enquirer disclosed that he had "terminal cancer" on March 11, 1980. In July, McQueen traveled to Rosarito Beach, Mexico, for unconventional treatment after US doctors told him they could do nothing to prolong his life. Controversy arose over the trip, because McQueen sought treatment from William Donald Kelley, who was promoting a variation of the Gerson therapy that used coffee enemas, frequent washing with shampoos, daily injections of fluid containing live cells from cattle and sheep, massage, and laetrile, an anticancer drug available in Mexico, but described as canonical quackery by mainstream scientists. McQueen paid for Kelley's treatments by himself in cash payments which were said to have been upwards of $40,000 per month ($116,000 today) during his three-month stay in Mexico. Kelley's only medical license (until revoked in 1976) had been for orthodontics. Kelley's methods created a sensation in the traditional and tabloid press when it became known that McQueen was a patient.

While in Mexico Steve McQueen met with Billy Graham. Graham gave him his personal Bible; (a Bible he was holding when he died).

McQueen returned to the US in early October. Despite metastasis of the cancer throughout McQueen's body, Kelley publicly announced that McQueen would be completely cured and return to normal life. McQueen's condition soon worsened and "huge" tumors developed in his abdomen.

In late October 1980, McQueen flew to Ciudad Juárez, Chihuahua, Mexico, to have an abdominal tumor on his liver (weighing around five pounds) removed, despite warnings from his US doctors that the tumor was inoperable and his heart could not withstand the surgery. McQueen checked into a small Juárez clinic under the assumed name of "Sam Shepard", where the doctors and staff were unaware of his actual identity.

On November 7, 1980, McQueen died of cardiac arrest at 3:45 a.m. at the Juárez clinic, 12 hours after surgery to remove or reduce numerous metastatic tumors in his neck and abdomen. He was 50 years old. According to the El Paso Times, McQueen died in his sleep.

Leonard DeWitt of the Ventura Missionary Church presided over McQueen's memorial service. McQueen was cremated and his ashes spread in the Pacific Ocean. WIKIPEDIA
















































































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02/22/2018 21:29:55

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02/22/2018 21:04:37








02/22/2018 16:29:13

Hope your having a great day my friend cool




02/22/2018 16:08:02



02/22/2018 09:42:03

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02/22/2018 09:16:07


have a beautiful day my lovely friend

much love and warm hugs from me xoxo



02/22/2018 09:05:54

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02/22/2018 08:38:02

When you look at a person, any person,


remember that everyone has a story.


Everyone has gone through something that


has changed them.


~ Unknown ~











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